Pawaatamihk: Journal of Métis Thinkers https://pawaatamihk.uwinnipeg.ca/index.php/Pawaatamihk <p><span style="font-weight: 400;">For questions, guidance in the submission process, or clarifications, please contact the Circle of Editors at pawaatamihk@uwinnipeg.ca. </span></p> University of Winnipeg en-US Pawaatamihk: Journal of Métis Thinkers 2817-7630 <p>License Terms</p> Pawaatamihk Answering the Call for Métis-Specific Scholarship https://pawaatamihk.uwinnipeg.ca/index.php/Pawaatamihk/article/view/76 Laura Forsythe Copyright (c) 2024 Laura Forsythe https://creativecommons.org/licenses/by-nc-nd/4.0 2024-06-28 2024-06-28 1 2 161 164 10.36939/pawaatamihk/vol1no2/art76 Artist Feature - Tim Moore https://pawaatamihk.uwinnipeg.ca/index.php/Pawaatamihk/article/view/74 Cathy Mattes Copyright (c) 2024 Cathy Mattes https://creativecommons.org/licenses/by-nc-nd/4.0 2024-06-28 2024-06-28 1 2 205 209 10.36939/pawaatamihk/vol1no2/art74 Metis Living https://pawaatamihk.uwinnipeg.ca/index.php/Pawaatamihk/article/view/58 Katherine Burelle Copyright (c) 2024 Katherine Burelle https://creativecommons.org/licenses/by-nc-nd/4.0 2024-06-28 2024-06-28 1 2 181 182 10.36939/pawaatamihk/vol1no2/art58 French-Michif https://pawaatamihk.uwinnipeg.ca/index.php/Pawaatamihk/article/view/62 Meghan Young Copyright (c) 2024 Meghan Young https://creativecommons.org/licenses/by-nc-nd/4.0 2024-06-28 2024-06-28 1 2 183 185 10.36939/pawaatamihk/vol1no2/art62 there is room. https://pawaatamihk.uwinnipeg.ca/index.php/Pawaatamihk/article/view/60 Erynne Gilpin Copyright (c) 2024 Erynne Gilpin https://creativecommons.org/licenses/by-nc-nd/4.0 2024-06-28 2024-06-28 1 2 186 188 10.36939/pawaatamihk/vol1no2/art60 Ashee https://pawaatamihk.uwinnipeg.ca/index.php/Pawaatamihk/article/view/50 Victoria Perrie Copyright (c) 2024 Victoria Perrie https://creativecommons.org/licenses/by-nc-nd/4.0 2024-06-28 2024-06-28 1 2 189 190 10.36939/pawaatamihk/vol1no2/art50 Absolute Refusal https://pawaatamihk.uwinnipeg.ca/index.php/Pawaatamihk/article/view/38 <p>This poem, in two parts, engages in a practice the author describes as “reading the beads.” The beadwork, titled “Absolute Refusal,” holds layers of stories, and can be read both forward and back – from our roots as a People to our hope for future generations.</p> Danielle Lussier Copyright (c) 2024 Danielle Lussier https://creativecommons.org/licenses/by-nc-nd/4.0 2024-06-28 2024-06-28 1 2 191 194 10.36939/pawaatamihk/vol1no2/art38 The Stone in Your Soul https://pawaatamihk.uwinnipeg.ca/index.php/Pawaatamihk/article/view/48 aron skworchinski Copyright (c) 2024 aron skworchinski https://creativecommons.org/licenses/by-nc-nd/4.0 2024-06-28 2024-06-28 1 2 195 198 10.36939/pawaatamihk/vol1no2/art48 Pakoshayimoohk/Hope, in steel https://pawaatamihk.uwinnipeg.ca/index.php/Pawaatamihk/article/view/64 Danielle Lussier Copyright (c) 2024 Danielle Lussier https://creativecommons.org/licenses/by-nc-nd/4.0 2024-06-28 2024-06-28 1 2 199 201 10.36939/pawaatamihk/vol1no2/art64 Wîpinâhwasowin https://pawaatamihk.uwinnipeg.ca/index.php/Pawaatamihk/article/view/70 <p style="font-weight: 400;">The Metis women research team engaged in a pre research project grounded in the Cree-Metis concept of <em>wîpinâhwasowin</em> meaning ‘peace offering’. The Research Team consisted of two Metis women, Dr. Anna Corrigal Flaminio, and Metis Scholar and Artist, Leah Marie Dorion. &nbsp;We enacted the Metis-specific visiting method of <em>kiyokewin/</em> <em>keeoukaywin</em> and Metis land-based methods, involving offerings tea, berries, tobacco to land and ancestors. The researchers enacted the method of sitting on the Earth with our relatives: <em>mâmawapôwin achiôma, ni-wahômâkanak</em>(sitting together here with my relatives). We explored ways Metis women hold the role of peacemaker of ancestral graves in their communities.</p> <p style="font-weight: 400;">&nbsp;</p> Anna Corrigal Flaminio Leah Marie Dorion Copyright (c) 2024 Anna Corrigal Flaminio, Leah Dorion https://creativecommons.org/licenses/by-nc-nd/4.0 2024-07-02 2024-07-02 1 2 210 230 10.36939/pawaatamihk/vol1no2/art70 The Red River Jig Family Network https://pawaatamihk.uwinnipeg.ca/index.php/Pawaatamihk/article/view/45 <p>In this article, we introduce the Red River Jig Family Network project and invite readers to join us in our conversations about Métis dance and music. We ask, what can a Métis-led and Métis-centred re-search project about Métis music and dance look like? And more specifically, what does the Red River Jig teach us about Métis approaches to re-search with and about Métis people and/or practices? In so doing, we are adding to a growing body of re-search that examines what it means to do re-search from a Métis perspective. </p> Suzanne Steele Michelle Porter Lily Overacker Dillon Apsassin Monique Giroux Copyright (c) 2024 Dr. Suzanne Steele, Michelle Porter, Monique Giroux https://creativecommons.org/licenses/by-nc-nd/4.0 2024-07-02 2024-07-02 1 2 231 254 10.36939/pawaatamihk/vol2no1/art45 Coming Home Through Métis Research https://pawaatamihk.uwinnipeg.ca/index.php/Pawaatamihk/article/view/75 <p>In this reprint of a chapter from&nbsp;<em>Around the Kitchen Table: Métis Aunties' Scholarship, </em>Allyson Stevenson recounts the journey she has taken into and through Métis research, and the pivotal scholars and community influences that have led her to her own academic work.&nbsp;</p> Allyson Stevenson Copyright (c) 2024 Allyson Stevenson https://creativecommons.org/licenses/by-nc-nd/4.0 2024-06-28 2024-06-28 1 2 255 263 10.36939/pawaatamihk/vol1no2/art75 The Métis Nation, Epistemic Injustice, and Self-Indigenization https://pawaatamihk.uwinnipeg.ca/index.php/Pawaatamihk/article/view/73 <p>This paper considers epistemic dimensions of injustices associated with settlers self-indigenization through false claims to being Métis. First, we provide an analytic characterization of the act of self-indigenization. Afterwards we spell out how confusions surrounding the meaning of the term ‘Métis’ generate lacunae in the social imagination of the dominant society in Canada. These lacunae make it more difficult for Métis people to explain to&nbsp; the dominant society why claims based on self-identification alone are inadequate bases upon which to claim to be Métis. Finally, we highlighting steps taken by the Métis Nation to assert their identity through citizenship registries.</p> Kurtis Boyer Paul Simard Smith Copyright (c) 2024 Paul Simard Smith, Kurtis Boyer https://creativecommons.org/licenses/by-nc-nd/4.0 2024-07-02 2024-07-02 1 2 264 275 10.36939/pawaatamihk/vol1no2/art73 La Chanson Du Riel https://pawaatamihk.uwinnipeg.ca/index.php/Pawaatamihk/article/view/65 <p>This is a story about Métis relations, oral history, and Louis Riel, however, I would not have this story to share if not for Ron Burwash, his grandma, his family, and their Métis relations; therefore it is also a story about them. Kichi kinanaskomitin (big thanks) to Elder Ron Burwash for gifting me with the French and English translation of <em>La Chanson Du Riel</em> and his time in conversation about its history and significance. I will tell the story of Riel’s song as Elder Ron has told it to me. In synthesizing how this song came to me, I will also express the significance and validity of oral history and the importance of intergenerational transmission of history and culture in the Métis context. </p> Carly Lawton Copyright (c) 2024 Carly Lawton https://creativecommons.org/licenses/by-nc-nd/4.0 2024-06-28 2024-06-28 1 2 166 170 10.36939/pawaatamihk/vol1no2/art65 Metis Relationality of lii lway di la tayr through the teachings of interconnectedness and balance https://pawaatamihk.uwinnipeg.ca/index.php/Pawaatamihk/article/view/31 Marika Schalla Copyright (c) 2024 Marika Schalla https://creativecommons.org/licenses/by-nc-nd/4.0 2024-06-28 2024-06-28 1 2 171 174 10.36939/pawaatamihk/vol1no2/art31 Exploring Métis Identity and Cultural Revival https://pawaatamihk.uwinnipeg.ca/index.php/Pawaatamihk/article/view/61 <p>In this paper, Métis artist and academic Juliet Mackie and Cree academic and curator Alexandra Nordstrom present a dialogue-driven exchange rooted in their collaboration on the exhibition, <em>Matrilineal Memory</em> (2023). They explore the multifaceted dimensions of Mackie’s role as a scholar, painter, and beadwork artist and examine the ways in which beadwork and portraiture can be used to explore the intricacies of Métis identity. A discussion on the revitalization of cultural and artistic practices emerges as they recount their joint and individual efforts in reclaiming cultural practices and knowledges, interweaving them into their daily lives, creative pursuits, and scholarly endeavors.</p> Juliet Mackie Alexandra Nordstrom Copyright (c) 2024 Alexandra Nordstrom, Juliet Mackie https://creativecommons.org/licenses/by-nc-nd/4.0 2024-06-28 2024-06-28 1 2 175 179 10.36939/pawaatamihk/vol1no2/art61 A Review of Stella Welcome to Your Doodem https://pawaatamihk.uwinnipeg.ca/index.php/Pawaatamihk/article/view/66 Meghan Young Copyright (c) 2024 Meghan Young https://creativecommons.org/licenses/by-nc-nd/4.0 2024-06-28 2024-06-28 1 2 202 204 10.36939/pawaatamihk/vol1no2/art66